12/29/2023 0 Comments Eddie jemison waitress musicalFar worse, however, is how extramarital affairs are painted in a rather flattering light.Waitress is a delectable rom-com, one of my favorite modern romantic fantasies from recent years, with a truly effervescent performance from Keri Russell, who, thanks to Adrienne Shelly’s warm and wonderful script, was given a role that didn’t skimp on edge and sass while still remaining 100% sympathetic. Religion/Worldview: Old Joe insists on reading Jenna her horoscope any time he orders.Violence: Jenna’s husband Earl is abusive and hits her a couple of times.Sex is discussed on several occasions as well. Jenna is also shown in bed with her husband. Same goes for Becky and the affair she’s having with her boss, Cal. But aside from kissing, nothing is shown. Language/Profanity: An assortment of expletives, including instances of the Lord’s name taken in vain and one “f” word.There’s also several references to Earl getting her drunk, thus causing Jenna’s unplanned pregnancy. Jenna talks about wanting all the drugs she could get as she’s giving birth. Drugs/Alcohol: Some social drinking and smoking is shown.While life is never as easy as pie, a truth that’s played out so beautifully in its 107-minute running time, the redemption that Jenna’s baby provides at the end isn’t nearly as sweet because of the extra-marital baggage that precedes it. SPOILER ALERT: Even worse is that neither of them ever gets caught together, and things end surprisingly amicably between Jenna and the doctor, which plays down the consequences and hurt that affairs inevitably cause to everyone involved.ĭespite an engaging storyline and well-crafted performances all around, even from supporting players like Cheryl Hines ( RV, TV’s Curb Your Enthusiasm), Andy Griffith and Eddie Jemison ( Ocean's Eleven and TV’s The Closer), that particularly skewed worldview is what ultimately makes Waitress so disturbing to watch as a Christian. Pomatter’s marriage with the adoring Francine ( Darby Stanchfield). While it’s easy to empathize with Jenna after seeing her husband treating her so poorly, even resorting to physical abuse at times, there’s no indication there’s anything wrong about Dr. Then, to make matters even worse for the pretty thirty-something, she’s just discovered she’s pregnant-news that causes the imaginative baker to create the “I Don’t Want Earl’s Baby” pie, a quiche filled with eggs and cheese with smoked ham in the center.Īnother element that’s troubling about the rendezvous is how we’re never really sure about the doctor’s motivation. And despite her best efforts to escape from her troublesome marriage, Jenna just can’t save up enough money from her meager waitressing tips. Her husband, Earl (a very convincing Jeremy Sisto) is jealous, manipulative and downright cruel. Set in a sleepy southern town, the sort of place where the local pie shop is the best place to hear all the gossip, Jenna (a resplendent Keri Russell) is stuck in a dead-end life. In fact, from a pure filmmaking perspective, it could easily be dubbed this year’s Little Miss Sunshine-that slightly odd but enchanting film you can’t help but root for. While it would be tempting for critics to lavish excessive praise on Shelly’s swan song in light of such dramatic circumstances, Waitress doesn’t need any favors from us. And if leaving a loving husband and a three-year-old daughter behind wasn’t unfortunate enough, Waitress would’ve likely been a positive turning point in Shelly’s slow-burning film career, too. Waitress is a bittersweet story that became even more so when the film’s director, Adrienne Shelly, was murdered in her New York City apartment last year. Rating: PG-13 (sexual content, language and thematic elements)Īctors: Keri Russell, Nathan Fillion, Cheryl Hines, Jeremy Sisto, Andy Griffith, Adrienne Shelly, Eddie Jemison, Darby Stanchfield
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